Our Film will Premiere at the 2012 Long Beach QFilm Festival

Written by Jonathan on . Posted in Movie Update, News

The Center Long Beach Presents…

The 2012 Long Beach QFilm Festival

The Center Long Beach

Announces Narrative & Documentary Feature Lineup. Greenhouse Studios to award $15,000 in prizes to Best Feature & Short Films.

Long Beach, California - The 2012 Long Beach QFilm Festival will take place September 14th-16th, 2012 at the historic Art Theatre located at 2025 East 4th St. and the neighboring Center Long Beach, both on Long Beach’s renowned “Retro Row.” Submissions for this year’s fest are now closed but will be accepted beginning October 15th for the 2013 festival via www.withoutabox.com.

Passes and tickets will be available for purchase beginning in August through the QFilm Festival page at www.qfilmslongbeach.com.

Long Beach’s long-running film festival since 1993, the QFilm Festival annually presents narrative features, documentaries and short films that embody the lesbian, gay, bisexual, transgender and queer (LGBTQ) community. Last year’s event was the most successful yet with over 1,000 attendees, and featured a U.S. premiere and several area premieres as well some of the most acclaimed features on the 2011 film festival circuit. Submissions are received each year from both student and professional filmmakers from around the world. Many filmmakers and cast members of the films to be shown will be present this year as they were last year for audience discussions. Festival events will be hosted by a variety of local luminaries and will feature numerous parties and opportunities for attendees to meet and mingle with filmmakers, actors, critics and other industry professionals.

The 2012 QFilm Festival will open at the Art Theatre the evening of Friday, September 14th with Thom Fitzgerald’s acclaimed “Cloudburst,starring Academy Award winners Olympia Dukakis and Brenda Fricker, and the Southern California premiere of Rosser Goodman’s gay-themed comedy “Love or Whatever.An Opening Night party will take place between screenings at the Gay and Lesbian Center of Greater Long Beach.

The festival will come to a close on Sunday, September 16th with the Swedish romantic-drama “Kiss Me (Kyss Mig)” and Glenn Gaylord’s timely “I Do.A Closing Night party between these final two screenings. All festival parties feature cocktails and libations.

Page 1The remaining narrative and documentary features selected to screen on Saturday and Sunday (screening times and venues TBA in August) are: “Gay LAtino: Coming of Age” (U.S. premiere); the award-winning “Raid of the Rainbow Lounge” (West Coast premiere); Dances with Films Audience Award winner “Delusions of Grandeur” (LGBT Festival premiere), “Taking a Chance on God” (Southern California premiere); “Unfit: Ward vs. Ward” (Southern California premiere); Outfest Audience Award winner “I Stand Corrected”; Outfest multiple award winner “Mosquita y Mari”; “Positive Youth”; “Elliot Loves” and “Morgan.”

Additional screenings on Saturday, September 15th will include a variety of great Men’s and Women’s short films. These programs will be announced in August.

Jury awards will be given to worthy films in several categories. In addition, new QFilm Festival sponsor Greenhouse Studios will be awarding a Best Feature Film prize package valued at over $10,000 that will include free use of an Offline Edit Suite for four weeks, 16 hours of free HD color correction and a graphics package. The Burbank-based Greenhouse Studios will also award a Best Short Film prize package valued at nearly $5,000 and including free use of an Offline Edit Suite for two weeks, 4 hours of free HD color correction and a graphics package.

All net proceeds from the festival will benefit The Center Long Beach and its important community outreach programs. We are grateful to those filmmakers and current sponsors who are supporting this effort. Sponsors of the 2012 QFest include Sayago and Pardon, Inc.; Keir Jones, State Farm Insurance; and Carrie Rickard, MD in addition to Greenhouse Studios. Additional sponsors and underwriters are being sought. Please contact Christina D. Rios Bennett at (562) 889-2826 or cbennett@centerlb.org for information about sponsorship opportunities. For more information on the Art Theatre, please visit www.arttheatrelongbeach.com.

About The Center Long Beach

The Gay and Lesbian Center of Greater Long Beach is located at 2017 E. Fourth Street in Long Beach. The Center was officially incorporated in 1980 as One in Long Beach, Inc. and has been providing a variety of health, social, advocacy, legal, and service programs to the LGBT community in the Long Beach area for three decades. The Center serves approximately 21,000 lesbian, gay, bisexual and transgender clients and constituents annually through 23 different programs and services.

www.centerlb.org

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Up and Coming gay Latino performer, Giovanni Aguayo

Written by admin on . Posted in Events, News

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Q & A With Giovanni Aguayo, a 21 year old gay Latino Male in Las Vegas with a big dream and a story to go with it.

Do you identify as gay? Queer? Latino? a singer? artist? performer? What would best describe your identity using these words, or not? If not, why not?

I would consider my self  a gay man that is trying to start something in the entertainment business.

How did you get started? What are your obstacles

I started back in Februrary of 2011. I felt as if music was my only escape from my past relationship i felt it was a world full of imagination and you can go as far as you can and get lost in it and never look back to me it was my way to get away from the anger and the emotions i had i said my thoughts in lyrics, and beats and different things about it made me feel home in it.

Some people are comparing you to Quentin Elias. He performs at gay clubs and events and is super good looking, has a personality, but doesn’t have the best voice. How does this make you feel? What do you have to say to this.

Well, Quentin is a very out going guy i love his music and i like his style yes i have been compared to him but truly we both have a dream in our head he believes in what he does and i believe in what i have i don’t consider my self a great singer at all seriously i don’t, i have a huge passion for music and to me thats all that matters, don’t get me wrong when i sing at clubs i sing live i wouldn’t let any body down i mean shoot they either like my voice or they don’t as for me i don’t think every recording artist is amazing out their I like some and i dislike some, if i judge it that way why wouldn’t others judge me that way its just how it is in music and quentin boi has it going for him I’m very proud to know him and spark they both work together and truly shoot i wish i had it like him…

Sweet answer. I was concerned that I would come off kinda rude by framing the question in that way, but hey, that’s part of being in a random interview right?

Oh man not at all hahaha i like it!

 

 

 

 

 

Let’s get personal. How is your love life? You said that you are escaping from a past relationship? Can you please elaborate on this? Are you looking for love?

my love life…. well i was in a 2 1/2 year relationship with some one over controlling, and didn’t know how how to open their mind to new things in life, I would say around age 14 i had to grow up very quickly in my life long story some day id share but i never had that person tell me no don’t do this or that i always had my freedom when i met this person i was 18 years of age i lived here in las vegas I actually had a busy schedule i worked, went to school, and did a gymnastics class during my week only had sunday and tuesday really just for me and it was very hard i met this person and i was tired of just being stuck here so what i did is i moved to california and this person told me ” all the things you did in vegas you can do it here” after several months i wasn’t even allowed to go to the gym not because id let myself go but because this guy didn’t like me going to gym reason for him was (gym was to meet other people) complete BS so i wouldn’t go and he felt the higher power in the relationship so if it didn’t go his way we would crash seriously i never been so tied down in my life and i couldn’t go i felt like i needed to be their with him i was use to our ways even the fighting everything i felt it had to be that way. but one day i said let me see what i can do to get away so behind his back i made a couple friends they loved making music and seriously that was my spark right their i just ignited like a match on gasoline just a burst of passion for me and i told my ex that this was my dream just to make music i didn’t care of stage and lights or if any one heard me you know i just wanted to do it i felt i was at home he said fine whatever keeps you home and satisfied i said perfect. but besides that my love life now is kind of hard because of the way i felt trapped and i still don’t want some one to try to tie me down i have a song i wrote for my ex and in the lyrics it says

” got one thing you really want to know about me don’t you ever try to change me because it really kills me inside if you really want to love me then just take me for who i am and don’t you ever let go”.

I am happy to help support your dreams and make them a reality, Giovanni. Watch this video of little girls in Mexico crying for Justin BeiberDo you think that one day, gay little boys will be crying for you like this too?

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honestly i only dream of people ever just hearing my music and waiting in line to see me, if i ever reach that level then i would be honored as a person,it is hard to see people crush down because of the sold out but do i see myself maybe one day selling out a stadium hmmmm i have the heart for it and i have the passion for it so I can only try to take it as far as i can i just want people to see what i feel and to see what i can do, everything i do is made by my own 2 hands my software my beats my lyrics my production who knows maybe one day i can tour to mexico i speak spanish so shoot maybe be i can do something in spanish one day hahaha

Any advice for young gay Latino men out there that struggle with love, life and in pursuing their dreams?

THEIRS ALWAYS A ESCAPE AND THEIRS ALWAYS A WAY IN LIFE THEIR IS NO CLOSED DOORS NO BROKEN DREAMS LIFE IS TRULY YOUR CREATION AND YOU STAND WERE YOU WANT TO BE NO ONE PICKS YOUR LIFE ….. AFTER ALL THATS WHY THEY SAYS “ITS YOUR LIFE” NOT HIS NOT THEIRS ITS YOURS.

Thanks for your time. Do have a way that readers can contact you?

GIOVANNI_AGUAYO@AOL.COM is the best way to reach me.

 

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A ‘Macho’ look at gay literature

Written by admin on . Posted in News

alg_viva_books

written by Erasmo Guerra in the  NYDaily News.com

It’s been more than 10 years since our last kiss of Latino gay lit.

Writer Charles Rice-González says the last time a group of Latino gay fiction appeared in print was the 1999 collection “Bésame Mucho,” edited by Jaime Manrique. A flurry of other anthologies of fiction, nonfiction and poetry followed.

And then nothing.

So like a man – gay or otherwise – who comes back into our lives as if nothing happened, that’s how it seems with the new book “From Macho to Mariposa: New Gay Latino Fiction,” edited by Rice-González and Charlie Vázquez, both from the Bronx.

Though billed as “new,” much of the writing feels familiar, picking up on classic narrative themes like the coming-out confessional and tales of unrequited love.

It’s like “he” never left – the collective “he” composed of 29 gay, male, Latino writers who come from across the U.S. and Puerto Rico. Nearly half of the contributors live in the New York area. A local reading is set for Sept. 20 at 6:30 p.m. at the LGBT Center, 208 W. 13th St.

The stories vary – from a 7-year-old boy’s birthday party to the searing account of two gay teens crossing from Guatemala, through Mexico and into the United States – but Rice-González, 47, who was born in Puerto Rico, finds a common thread.

“There’s a lot of longing – wanting and not getting,” he says. “A lot of the stories deal with families and neighborhoods. That’s what I find with gay men of color in general.”

But this latest survey of Latino gay fiction also seems strung together by a knotty thread of violence. Kids are abused. Thugs on street corners threaten.

That 7-year-old birthday boy, emotionally battered by his father, turns into the chilling lead in a revenge drama usually reserved for TV movies of the week.

Even the fizzy, fiercely funny account “Orchard Beach, Section Nine,” about Joey, or La Joey, “one of the Bronx’s true reigning cha-cha queens,” is about a street fight. After he rearranges a straight boy’s face when he gets all up in his, La Joey announces, “Remember. I was a man before I was a lady.”

erasmoguerrajr@gmail.com

Read more: http://www.nydailynews.com/latino/2011/09/07/2011-09-07_book07v.html#ixzz1XRDWIEeF

 

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Jose Sarria: first gay man in history to run for public office was latino

Written by admin on . Posted in News

Jose Sarria

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Blog Source: A Gender Variance Who’s Who Research by Zagria
In 1961, José Sarria was the first out gay person to ever run for public office in the US. He did not win, but he made history. Sarria went on to found the International Imperial Court System and became better known as Absolute Empress I, The Widow Norton.

José was born in San Francisco, the child of unmarried Columbian and Nicaraguan immigrants. He was raised by his mother and then by his godmother for whom his mother worked as a live-in domestic. They combined their households and moved to Redwood City during the Depression of the 1930s.

They both indulged his fondness for dressing in their clothes, and encouraged his singing. He took lessons from a retired opera singer. In addition to English and his native Spanish, he also learned French and German.

His first lover was Paul Kolish, an Austrian refugee whom he tutored.

Sarria enlisted in the US Army during World War II, despite his short height, by seducing the major at the recruiting station. He was assigned to the Signals Corps. He was rejected for Intelligence for unstated reasons (probably for being fey), and was trained as a cook. He became a major’s orderly, and after the occupation of Berlin he managed an officers’ mess hall. He was discharged at the rank of Staff Sergeant.

Back in San Francisco Kolish was killed by a drunken driver on Christmas Day 1947. José enrolled in teacher training, but after being arrested for solicitation in a police sting in a hotel, he was now ineligible for certification as a teacher.

He found a lover, Jimmy Moore, who worked as a waiter and greeter at The Black Cat Bar, in San Francisco’s North Beach. José subbed for his lover at the bar. From there he started singing, moved onto the stage, and performed camp versions of operatic arias in drag. He continued performing until the bar closed in 1963. He would close the evening with a singing of “God save us Nelly Queens”.

In the 1950s, when cross-dressing was still illegal he distributed badges stating “I am a boy”, so that fellow drag queens could not be accused of “intent to deceive”. The police regularly raided gay bars and charged everyone found inside. José urged that they plead not guilty which overloaded the courts and judges started demanding actual evidence.

In 1961 he ran for the San Francisco Board of Supervisors, winning nearly 6,000 votes. This makes him the first openly transgendered, and the first openly gay person to run for public office. His campaign helped later gay campaigns, in particular that of Harvey Milk.

He was a co-founder of the League for Civil Education (LCE) which provided educational programs and support for those caught in police raids; of the Society for Individual Rights (SIR) which organized both social and political events; and of the Tavern Guild, the first gay business association which helped co-ordinate bar owners against police harassment.

José was crowned Queen of the Beaux Arts Ball in 1964, and took the name the Widow Norton (a reference to Joshua Norton, the self-proclaimed Emperor of the United States in San Francisco,1859). This led to the founding of the Imperial Court System which now has chapters across North America and puts on balls and raises money for charity.

Also in 1964 José went into partnership with restaurateur Pierre Parker who held the French food concession for the World’s Fairs. They worked the fairs in New York, 1964, Montreal, 1967, San Antonio, 1968, and Spokane 1974. Then they both retired to Phoenix, Arizona.

José returned to San Francisco in 1977 to endorse Harvey Milk running for the Board of Supervisors.

Mama José and other of the Court appear in the opening of the 1995 film To Wong Foo, Thanks for Everything! Julie Newmar.

Sarria’s lifetime of activism was commemorated when the city of San Francisco renamed a section of 16th Street in the Castro “José Sarria Court”.

Interview with José Sarria for Out and Elected in the USA

Q: You made history when you decided to run for elected public office. What put that idea into your head?

A: At the time that I ran it was because I saw a need. The only way that the gay community at that time could become forceful was to become political. I don’t care what people say, even one vote will make a difference. If enough people scream, it will make a difference. These people that say, “Oh, I’m not going to vote, I’m only one person, it isn’t going to count,” well, by Jesus Christ, it does count. If everybody had that attitude then nothing would be accomplished and we would be all screwed.
Most everything I’ve done in my life was done with a purpose, not with a big purpose, at least not what it ended up being. At the time that I did this, I wanted to prove to these silly queens that by voting, it did make a difference. I wanted to prove that everybody had the right to vote. I wanted to prove that you had the right to run for public office. And the only way to make these people understand that, was to do it. So I decide to, with the help of some of the customers at the Black Cat. They said, “Why don’t you run for office?” So I did. And we got the most people registered to vote. Our man who ran that part got top recognition from the Democratic Party for registering the most voters. He was gay. He went to all kinds of places and he got people to register to vote. He didn’t go onto a street corner, he went into the glory holes and the bars and the bathhouses and sat there. He basically said, “You register to vote and then you get the prize.” And little by little they began to realize that if we stick together, we can do something. I was preaching that 30 years ago. My platform when I ran was “Equality Before the Law.” The San Francisco Court House had just been built and that was the slogan on it and I said, “This is what my slogan will be. I’m going to take it and shove it right down their throat.” I saw that there were two interpretations of the laws and that they were trying to make gay people second rate citizens. I’ve never been a second rate citizen.
I learned a lot about the law. I realized that you had to have a party endorsement to run for public office and neither the Democrats nor the Republicans wanted to endorse me because I was openly gay. So I had to use brinkmanship and threaten to sue them. I’ve always been a Democrat, and they had to allow me to list as a Democrat even though they didn’t endorse me in any way. Then to get on the ballot, it (took) 35 signatures. I had to blackmail the 35 people. And then when you ran for office in the city it was not according to districts. It was open. After I made the election they came to see me at the Black Cat. Politicians. They wanted to see who was crazy enough to say that they were gay and to run for public office. They thought I was just a starving entertainer looking for publicity to make money. They found out that I was not a starving entertainer, that I was making good money and that I was sincere. They were flabbergasted. But that opened the door. That made politicians and other people realize that there were gay people out there.
For Supervisor, you normally have three to five positions open and at the most you might have ten people running. The time that I ran, there were five positions and nine people were running. The filing deadline to run was ten hours away, and I saw that I had a chance. They got nervous, and within those ten ours the nine had increased to thirty-three people. A musician, a garbage collector – oh, they went out and got anybody they could find – thirty three people running for five positions! The most there had ever been up until that time. It was done specifically to weaken the pool (because I was in it). Well, I came in ninth! Out of thirty three, that’s not bad! So, you see, that’s what they did. I could have gotten more votes, but the gay community is our own enemy.
But, by the next election, the gay community politicians knocking at the door saying “I would like to talk to you.” I’d proved my point by saying there were 10,000 voting queens. And 10,000 voting queens is a good block. All we have to do is stick together. Shortly after that we elected a sheriff. Shortly after that we got mad and we defeated a man running for mayor. In other words, the politicians of San Francisco realized we were important. Just like today, conventions realize there is a caucus made up of gay people. At one time, they didn’t pay any attention. But now they do.
As little as I may be, I’m part of the history. And no matter where you are at, and you don’t know your history, you don’t know where you are going.
I believe what I did then has helped make gay people understand that they have to be part of the community that they live in. That is what the Court system has done. The Court system was organized in San Francisco to be part of a community. How are you part of a community? By getting out there and sweeping the streets with the straight people. By getting out there and helping the poor with the straight people. By letting people know that you are gay and you are out there working with to improve your city.
I think what I did made the gay community wake up to the fact that they had to get out there and be part of the city. Be part of the community. Take a place in it. And that is what the Court system is. It is not only to raise money – it’s getting out there and doing it.
I want to be remembered not as the little Latin that sat on table tops and sang “God Save the Nelly Queens.” I think I’ve done a little bit more in this world. I want to be remembered for the good things that I’ve done. I have achieved something.
I was the first. I was the first to organize a gay non-profit corporation in the state of California. I did it. It was The League for Civil Education. And that became SIR, the Society for Individual Rights.

Return to Out and Elected in the USA: 1974-2004 index

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Round Table: Identity Jokes & Reclaiming Power

Written by admin on . Posted in News

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Round Table: Identity Jokes & ReclaimingPower

Author: You’re Welcome Blog

 

Last Saturday, all three You’re Welcome writers got drinks together and recorded a great, meaty conversation about jokes, power, identity, and leaning into stereotypes. It’s transcribed below.

Before this conversation, we talked briefly about the lines between self-deprecating jokes and powerful humor. We recognize that self-deprecation can be empowering for some, but we’ve often found it to be damaging (especially as one of the only socially sanctioned ways in which many marginalized folks relate to our identities). Today, the three of us feel like we approach humor about our identities, for the most part, in a way that’s self-affirming rather than self-deprecating. This conversation is about the particular kinds of humor we find to be consensual and illuminating.

In order to track this conversation, it’s probably helpful to know a little bit about our identities. tenderqueer identifies as white, trans, and genderqueer. Luchador identifies as a queer xicano. Lunette identifies as a fat, white, intersex, queer femme.

That said, enjoy our first roundtable conversation about the power of identity-based jokes and leaning into stereotypes. Leave a comment to join in the conversation!

Lunette: So here’s what I want to know.  How do each of you lean into and joke about stereotypes? What are the stereotypes, jokes and preconceptions you lean into, what are the ones you push on, and why?  I’ll say that I definitely lean into the food-crazed fatty stereotype.  I enjoy food, I like enjoying food, and if someone pushes back, I can call them out.  It’s a little bit of baiting people, you know?  “Say something. Try me.”

Luchador: I do think there is a difference in how people treat fatness vs a racial or sexual identity., People are very open about their lack of acceptance.  When you lean into fat jokes, they have to think about whether or not that’s funny.  The reason I make a lot of race jokes is that it stops people, makes them think about what they were assuming, and makes them aware of what they feel entitled to say.

Lunette: There is a difference there.  Everybody has thoughts about race, and everybody gets that it’s a sensitive topic.  Everybody has thoughts about fat, but people think it’s a rude topic.

tenderqueer: A lot of cultures in the US & abroad value thinness and a certain physique.  “We all know that this is the best way to be, but you shouldn’t say overtly fucked up things in front of someone.”  It’s politeness.  But people are more confused about race.  White people are more confused about race.

Lunette: Yeah.  I think white people understand that they need to be sensitive around race, but some white people feel so sensitive around it that they just don’t talk about it.

Luchador: People talk about fatness like it’s an illness.  You don’t discuss someone’s illness in public.  But with race and gender, people know that they shouldn’t be that way, they shouldn’t have those thoughts, but they still do, so they have a lot of guilt.  And I’m talking about people who generally have an analysis—people who are progressive.  But that same group of people think of fatness as an addiction or an illness.  “We are aware of your feelings, so we won’t mention that around you.”  But addressing fatness can really challenge that.  When you make jokes about it, if you make those jokes well, they stop thinking of it as an illness and start thinking of it in an identity framework.

Lunette: I think, around race, that you, as a politicized person of color in a very white part of the country, you’re not something that a lot of white people encounter often.  There is the possibility to primarily, or even exclusively, engage with white people here.  So when white people meet someone with strong race politics, someone like you, they’re on edge.

Luchador: I don’t try very hard to make white people feel comfortable around me. Often, when white people ask me my name, they follow up and ask if they can call me something shorter, and when they shorten my name, they try to translate it into a whiter name.  If I wanted to make them feel okay about that, I’d say “sure, my friends have this nickname for me.”  But then there’s no acknowledgement that what that person said was fucked up or insulting. I also feel that if I don’t say something, this fool’s going to continue to talk to other people of color this way, and make them feel like their names are too long or funny or wrong.

In LA, I knew that white people, regardless of their politics around race, knew they would get their asses kicked if they said something fucked up.  And I’m comfortable with that kind of acknowledgement, because the alternative is no acknowledgment..

Lunette: I do feel like the stuff you do around race is a little bit about creating trauma.

Luchador: Well, trauma worked really well for me around understanding race. I have a lot of race-related trauma. I know my place is in society because I have experienced racism and each lesson has been traumatic through painful experiences with discrimination. I found out what worked and what didn’t because of this trauma. White people go without this trauma and get upset when they can’t say certain words that POC can say. I find myself in the position of having to explain a lot and frankly I need to make sure it sticks.

tenderqueer: I think I make jokes about being genderqueer or being trans in a tactical way to establish what’s messed up.  “Someone actually said this to me today! Isn’t that messed up?”  And I do a little bit of the “I can say that, but you can’t” jokes.  Or “one person can say that to me, but pretty much no one else can.”

Lunette: I see you do that with gender presentation stuff, too.  Pink backpack, daisies on your bike helmet.

tenderqueer: It allows me to make “man jokes,” and people understand that they need to take them differently because I have a pink backpack and sparkly things.  But if I didn’t have those things, I could make those jokes, and they would not be received in the way I intend them.  My goal with jokes is to help people understand what I’m saying, and I want to play to the person who’s least likely to get it.  I want the people in the nosebleed seats to understand that I’m making a joke at the expense of the assumptions they have about me.

Luchador: I also make jokes that my identity doesn’t allow me to make, to people I shouldn’t be making them with.  Like you guys.  If you ask me to do something, t, and I say I can’t, and you start to object, I can say, “it’s because I’m transphobic.”  And I say it in front of people I shouldn’t say it around.  And then you respond with, “well, I’m racist.”  You correct me on your pronouns, I tell you to learn Spanish.

We have extremes in our environment, with people who really understand identity and people who really don’t.  But there are a lot of people who just need some help to understand, and to make it normal.  I think that the way you make something normal is to joke about it.  But it also lets people expand and establish their boundaries.  “We don’t have the same identity, but you can make fun of this stuff with me, and we’re going to get through this together.  And if I say something offensive to you, we can joke about it.”

Lunette: And just talk about it, honestly and openly, which is really rare.

Luchador: Without it being a production.  That humor is a quick, efficient way of letting you know that I just fucked up, and you letting me know that we’re working through it, without a heavy series of one-on-one accountability conversations.  That’s not culture.  Culture is humor, culture can be light and creative, and when we lean into identity this way, we change the culture we’re in.

Lunette: If we get into those accountability conversations all the time, and never joke about identity, it’s never normalized.  It’s never okay.  The humor that you bring to it in particular, Luchador, is that you’ll give someone a lot of shit, but you’ll be there to help them through it.  “Yes, I’m giving you a hard time, but I’m also an open book.  I’m also here to help you.”

Luchador: I don’t want to lie to people.  Saying, “no, no, that’s okay!” when people say something

Photo Taken by Clemente Luna http://www.flickr.com/photos/clem/with/112228354/

offensive . I would be lying and it also wouldn’t address the issue. I take the risk that I may not connect with people by being polite but they won’t ever forget the conversation I had with them.

tenderqueer: It’s also approval, coming from you.  I knew the first time that you made fun of me, I thought, “that means you like me.”  And doing that gives me permission to do that.  Before I met you, I didn’t totally know how to engage with people this way, with humor.  And for me, part of it is healing.  You have to level with living in a world with horrible racism, transphobia, sexism, sizeism, all this horrible shit, and every day, each of us is feeling that in some way.  We’re very aware of the way the deck is stacked against us.  But if we can make a joke about it, that helps.

Lunette: And it’s building relationships across lines of identity.  It’s a really important way to learn how to deal with other people’s identities.  I learn a lot through humor.

Luchador: Humor builds our own analysis and the analysis of anyone who’s witnessing that conversation.  When I joke with you two, I try to say things that I think you want the rest of the group to know.  I try to bring things up so you don’t have to be in it alone.  If people are neglecting identity, avoiding talking about it, or talking about it in a way that’s oversimplified, we can say something about our identities that we might only say to other people within our community.  If we say it as a joke, everyone in the room is suddenly aware of that aspect of identity in a deeper way.

Lunette: And you can play off of each other.

Luchador: Right.  You make a fat joke about yourself, and it gets awkward, but then I make a joke that validates your identity, and suddenly it’s okay.

Lunette: It’s third party validation.  It’s theater.

Luchador: Sometimes it’s conscious, but often it’s very reactive.  It’s just a reflex.  It’s a response to being really overwhelmed.  In those moments, there’s so much education to do, and I can’t do all of it right now, but we can make a joke about it, everybody can see the social cues, and it’s so much faster than trying to facilitate a goddamn workshop around that one awkward moment.

Lunette: Plus, when we play off of each other like that, when we interact in this theatrical way, it takes the power away from the person who said the fucked up thing.  No one’s paying attention to them anymore.  Now they’re paying attention to us.  It changes the balance of power.

Luchador: Right.  Part of the goal is to educate people.  But sometimes the goal is just to get them to stop saying fucked up things.  And when we take control of the conversation, it’s suddenly on our terms.

Lunette: It’s one of very few opportunities you get in daily life to interact with identity on your own terms.

tenderqueer: There’s also a “cool kids” dynamic.  If we’re making these jokes, as people with complex identities, we know what we’re talking about, and people do take note of that.

Lunette: There’s also a degree of perceived elitism in that “cool kids” dynamic.  And for people who dislike engaging with identity, that dynamic can further alienate them.  It can make them more entrenched.

Luchador: Our jobs are identity-based.  Our jobs involve coming up with ways to talk about identity, to break it down, to affirm it.  So when we joke with each other around identity, it really messes with people.  It disorients them.  They do take the cue from us, and it’s confusing, since we’re the ones creating the framework and we’re the ones making fun of the framework.

And there’s a particular way we joke about things.  I would never joke with you about things that actually hurt you.  I would never use the wrong pronouns just to mess with you.  I would never say the things that people say when they’re trying to hurt you.

tenderqueer: There’s a level of respect there.  All of us have messed up with each other’s identities at some point.  We can have really good, honest conversations and still joke with each other.  However we deal with things, there’s a maintained level of respect that comes from being able to laugh at and with each other.

Lunette: When I get called out through a joke, it doesn’t haunt me the way an accountability conversation does.  If someone makes a joke that makes it clear that I stepped over a line, I just stop stepping over that line, and I move on.

tenderqueer: When someone tells me, “you crossed a line, and we need to have a conversation about that,” I have those moments burned into my brain.  But when someone makes a joke about it, I get it, and it’s over.

Lunette: And not every moment warrants that.

Luchador: Jokes can take care of a lot of awkward little moments.  You slipped, I’m going to clown you, and that reinforces that you should be thinking about it more, and it doesn’t turn you off to thinking about it.

Lunette: It also subverts some power dynamics.  If someone has more power than you, you might not be able to call them out directly every time, but you can definitely make a joke without putting yourself at too much risk.

Luchador: If you point out that the emperor has no clothes, then suddenly, everyone has access to the same information in the same way at the same moment.  It shifts the power.  Now everyone’s on the same playing field.  Joking gives people an opportunity to maintain your relationship with someone and still say an intense thing you need to say.  It allows you to say both “you’re not wearing any clothes” and “I know you noticed” at the same time.  And they can choose to laugh at the joke and save face.

tenderqueer: That piece about shifting the power really resonates with me.  I think that’s really true.  Sometimes the only way you can claim power is by making a joke.

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Ban on Gay Marriage is Really About the Fear of Gay Love

Written by admin on . Posted in News

Art By Manuel Acevedo

Letter to My “Enemy”

By Ollin Morales, courage2create@gmail.com

Dear “Enemy,”

You have compared me to a terrorist. My need to hold the love of my life in my arms, in your eyes, is equal to a man strapping an explosive to his chest, detonating it, and decimating a street corner filled with people. You’ve stated that a love like mine could lead to bestiality. That the charming kiss between me and him is equal to a frothy lick from a canine. You claim that as soon as I get a certificate binding me to one man, I will inevitably search for multiple certificates that can bind me to two, three maybe even ten men. My love for men is false enough to be invalidated by the law but is also, somehow, insatiable enough that the law must rush to contain it. (This is equivalent to proclaiming that a monster does not exist, and then insisting that a cage must be constructed to trap this same monster.)

Ollin Morales in Hawaii

You have said my love is a sin.  That me holding his tender hand is equivalent to a rusty knife cutting across a pleading woman’s throat. You think I’m disgusting and perverse. An entire gulf filled with black poison is more appealing to you than me smiling at the smell of his sweet cologne.  You have said that I cannot be a good father without a woman.  That my tight embrace is only half of what’s needed for my son.  That he would be far more complete without a single embrace from any father or mother, than be around the loving warmth of two parents of the same gender.

You say I am stealing something from you. That marriage is sacred and how dare I try to change it. Far be it for me to point out that you stole something from us first. Back when David and Jonathan chose to switch robes between the pages of the Bible, you switched the basic character of love. You proclaimed that love was only for a man and a woman, and threw homosexuals down a man-made inferno.  This battle is not new.  It has been long running, ever since you forced shut the paper lips of Plato. You have pushed us down, and into hiding, out of fear. Now you wish to drown us out with your vicious words.

You are on the quest to make an enemy out of me.

But you are not my enemy. The enemy of America is, and always has been, ignorance. Ignorance makes us enemies, when in fact we are one and the same. To fight against you would be to fight against myself. Because at one point you were my mother. You were my father. You were an uncle of mine or a brother. You were a friend who didn’t know until I told him who I was. You, my “enemy,” were once my ex-girlfriend, my aunt, my grandmother.  Most importantly, you, my “enemy”—at one point—you were me.

At one point, long ago, I hated myself. I thought I was sinful and disgusting. I thought who I was shameful. I was an embarrassment. I shouted in my head that I was not worth loving and not worth being loved. Thought that my love not only did not exist, but that it was not right.

You want to kill me, or at least kill any worthwhile life I wish to pursue, but you were not the first to wish this for me. I was the first. I thought of suicide and pleaded to God: “Why? Why would you make me what everyone in the world thought was so… wrong?”

http://ollinmorales.wordpress.com/

I was my own “enemy” once. So, I am familiar with you. I know you fear that a move to marriage equality would go against the will of God. You fear to doubt the faith that has giving you so much strength, stability and hope. A faith that you love and practice with great enthusiasm. I understand. It’s all or nothing. Either He favors the gay man or gay woman, or he doesn’t. And from what you have been told, He doesn’t. So far be it for you to go against God.

But please, if you are a person of faith, although you may not understand gay desire, or believe it to be right, you must understand love.  If you are a person of faith, bring that faith back to rejoicing love. If you are a person of faith, please have faith in love. Have faith that, although you may not understand how or why—love can beat from one heart to the other, regardless of whether either heart belongs to a man or a woman. Please, bring you faith back to supporting commitment when two people seek it. If you are a person of faith, know that your beliefs can only rise higher and rest deeper when they are grounded in the support and recognition of enduring love.  Your faith asks you to be an agent of love at all levels, so please, stay true to this principle, and do not fear becoming lost.

I don’t expect you to know what it’s like to be in my shoes.  When your hands wrap around your wife no one yells “Faggot!” from off the street corner. When you tell a stranger that you are straight, you never fear that they might reject you, make fun of you, toss you aside, harass you, or even kill you.  When you decide to propose to your wife, you never have to stop, hesitate, and ask yourself: “Should I wait until it’s legal?”  When the natural urge comes to your heart, that begs you to become a father to a child, you

Art by Manuel Acevedo facebook.com/M.A.A.187

never have to brush it aside as a near impossibility. You never can imagine how just being yourself could ever cause you so much suffering, confusion, and fear.  You would be confounded by the idea that there are masses of people out there who hate you, but who never even met you—and who would much less bother to go out of their way to get to know you. Rushing to hose you violently with their animosity, spit their hatred, shout their venom—at who, you are not sure. Because if they knew you, they would never say be so hateful. If they really knew everything you had really gone through, and are going through, they would never jump the gun and label you, strike down your future into mud. You don’t know what it’s like to be always be afraid about what next new strategy they will use to dehumanize you and make you feel bad for just being yourself.

 

No. You wouldn’t understand the fear.

Or maybe you do. You’re afraid of homosexuality spreading like a virus. What if I am one them? You secretly ask yourself.  What if my son is? Or my daughter? Or my husband? Or my boss? And if I am one of them, will they love me?  I don’t love them, so no. I don’t think they would ever love me. So better to stamp it out, before it spreads, dig up a hole, shove it in the ground, push it away, resist it.  If I do this, you think, maybe the virus won’t catch me, or anybody I love.

But your fear is too late. It’s already happened. Or it will happen. You will confront a situation, even if you haven’t already, when someone you love very dearly may reveal to you that he or she is that which you hate and deride. What will you do then? Reject them? Try to reshape them? Stamp them out? Ignore them? Run them out of the house?

If you run out that person that you love, you will have lost someone that was an essential part of you. And in so losing this gay man or woman who was so important to your life, you will have lost yourself, and thus, you will have become your own enemy. Just as I did. Just as hundreds of thousands of gay and straight people have. If you have anger in your heart, if you are afraid and confused, nothing will make it go away, but with the help of love and an attempt at understanding.

Your laws suggest that you are fine with emotionless acts of desire in the back corners of dark rooms, but your laws WILL NOT stand for public displays of committed love. You are afraid of love out in the open.  You are terrified of love that lasts.

As an agent of love, I don’t think you can call me a terrorist—in fact terrorists should fear me. For there

Art By Manuel Acevedo

is no remedy for love, there is no bomb big enough to stop it, no nuclear weapon large enough to break love, no devious plot, no cowardly act, no diabolical attempt that can crush and obliterate love.  It is love that can bring us up from the shadowy ground. It is love that helps us rise to face the morning gloom, even when our pockets are empty. It is love that makes us laugh even though the future is bleak. It is love that brings us through the confusion and despair, allowing us to land safely on solid ground.

 

We need more love, not less.  Love is the great panacea. Sex is not. Sex sells.  Sex is free.  Sex is a Hollywood star. Sex has nothing to hide, because Sex is legal. Sex is no longer the stigma it once was.  The new 21st Century stigma is Love.  The kind that’s big, warm and lasts a lifetime.  Love is the new taboo.  Love is now shameful. Love is something to regulate, to hide, to lie about.  Love is something you shouldn’t do because it goes against everything that’s right with the world. Love is a sin. “Please, don’t teach our kids about Love because Love is very very wrong!”

Stop fighting against love. Not only is your battle strange, but as you drag out this fight, you risk murdering many people.

In this, I am being serious.  There are many gay men and women who will kill themselves because of the vicious words you use. There are many gay men and women who will be killed by others—others who will find deadly inspiration in your words of hate. There are still those gay men and women who will remain alive physically, but who will die little by little every day as they play the sham—relegating themselves to live a life filled with lies, self-hate, fear and confusion—a life without love. These closeted gay men and women are as dead as those who will kill themselves, and those who will be killed at the hands of others.

There are no words—nor records that were ever recorded—that can illustrate the centuries-long, physical (and psychological) genocide of gay people throughout the history of this country and the world. It is because of this long and tragic history, that gay men and women today are demanding that Love triumph NOW. NOT LATER.

We demand that you erase the hateful words you use, the one’s you shout, the one’s you whisper, and

facebook.com/M.A.A.187

yes, the one’s you write into law and call “justice.” By erasing these words of hate, you will finally put an end to the suffering—both yours and ours. Overturn EVERY ban against us. We will work, we will donate blood, and we will marry.  We demand our freedom. Not a quarter of it, not a half of it, ALL OF IT, and we demand this freedom NOW. NOT LATER. THIS is the most “convenient” time.  THIS IS the most URGENT issue. Why fight to preserve a free country if none exists? Make us a free country and we will show up to any fight to keep it free.  There is no other time more urgent than NOW to allow a free citizen their right to pursue happiness.

 

King spoke the truth when he said that equality was inevitable.  We are nearing another bend in the long arc of history, and our movement towards this bend is growing every day. If you do not help us now, then be certain that we will rise up and march, until we can lift history upward once more, toward justice.

Sincerely,

Ollin

ollinmorales.wordpress.com

Ollin Morales is a writer. Courage 2 Create chronicles the author’s journey as he writes his first novel. This blog offers writing advice as well as strategies to deal with life’s toughest challenges. After all, as Ollin’s story unfolds, it becomes more and more clear to him that in order to write a great novel, he must first learn how to live a great life.

I originally posted this on my blog a while back and it got some attention, but I think it deserves to be read by more people. I think it frames the issue in a very pertinent and unique way–well in a true way. That the ban on gay marriage is really about the fear of gay love and not gay sex, which makes it a very strange issue for people to fight for.

 

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LGBT en Español: Depictions of LGBT people & issues in Spanish-language media

Written by admin on . Posted in News

Picture 3

Source: Glaad Blog.com

Every day, GLAAD’s Spanish-Language Media team monitors news and entertainment content in film, television, print and online media. We often find interesting stories that we want to share with you, which is why we created LGBT en Español, a look at depictions of LGBT people and issues in Spanish-Language media.

In recent years, we’ve seen a growing number of positive representations of LGBT people and issues in Spanish-language media. This means millions of Latinos are getting to know LGBT people as their neighbors, friends, co-workers and family members.

As with English-language media, of course, there’s plenty of room for improvement, and anti-LGBT defamation, invisibility and the use of stereotypes are persistent challenges. We’ll do our best to keep you apprised of the most interesting media representations, but we also need your help to monitor the large amount of content on the air and radio waves. Please help us by writing toincident@glaad.org if you see, read or hear anything problematic, offensive or defamatory in English or in Spanish. Or if you see or read a great story, please also let us know about that.

Remembering Slain Transgender New Yorker Camila Guzmán

Camila Guzmán Vigil 

Following the murder of transgender woman Camila Guzmán in New York earlier this month, several organizations, including GLAAD, joined forces to call attention to violence against transgender people by organizing a vigil on Aug. 11.Camila’s vigil received coverage from several news sources, including The Associated Press,the Village Voice, and El Diario La Prensa. Guzman was beaten and stabbed to death in her home on Aug.1. On Aug. 18, Equan Southall,whom she had been in a relationship with for 4 months, was arrested for her murder.

Guzman was originally from Chile, and news of her death also reached Chilean press. An article in El Mostrador reported that a leading national LGBT organization, MOVILH (Movimiento de Integración y Liberación Homosexual), is petitioning Chile’s Department of Foreign Relations to take part in the investigation, citing the role that discrimination in the country had in propelling her to emigrate.

There have been many recent attacks against transgender women of color in New York and Washington, D.C., and other states and cities.  According to the National Coalition of Anti-Violence Projects, LGBT people of color are disproportionately impacted by murder, comprising 70% of all LGBT murders. Transgender women are disproportionately impacted by murder— 44% of LGBT murder victims are transgender women.

Univision’s Primer Impacto included a strong segment on Aug. 4 that highlighted a spike in hate crimes in Long Beach, California. The segment included an interview with a friend of one of the victims and highlighted the LGBT community’s march to stand united against the hate crimes.

Marking Milestones: 1000th Wedding in Mexico

On August 14, the 1000th wedding between a gay couple in Mexico City took place, and Spanish-language media took notice. Marriage and adoption equality are only legal in Mexico City, but both must be recognized nationally. Numerous newspapers worldwide told the story of the wedding between José Carlos Gómez, a 37-year-old Mexican university researcher and professor, and Tijarda Olaf Hellias Wessels, a 29-year-old Dutch man. Noticiero con Paola Rojas showed beautiful images of the wedding and of the couple around their supportive family, helping viewers understand why marriage is important to so many couples in Mexico. In March 2010, Mexico became the first country in Latin America to have a law explicitly allowing gay couples to marry. Since then, 548 gay male couples and 452 lesbian couples have gotten married. According to Mexico City officials, 6% of the marriages have consisted of foreigners and 85% between partners who were 31 years or older. On July 21, 2010, Argentina became the first Latin American country to have marriage equality at the federal level. Since then 2,697 gay and lesbian couples have tied the knot, according to newspaper La Nación.

Ignacio Estrada and Wendy Iriepa 

Many media outlets reported on the first wedding between a transgender woman and a gay man, which took place in Cuba on Aug 13. The coverage was not always stellar, in English or Spanish, with much confusion evident at times about the difference between sexual orientation and gender identity and oftentimes inaccurately describing it as a “gay wedding.” Estrella TV’s entertainment show Estrellas Hoy, Paparazzi Magazine, and Noticiero con Paola Rojas covered the wedding. The couple said they decided to marry on Fidel Castro’s 85th birthday as a “gift” to the former leader, due to the persecution of gay people and the often anti-LGBT policies put in place by Castro after the 1959 revolution.

Immigration Decisions That Stop Separations of Same-Sex Couples Receive Attention

Maak and WellsMaak and Wells 

Univision.com highlighted the hardships that a binational couple, John Makk, of Australian descent, and Bradford Wells, a U.S. Citizen, are enduring because their marriage is not recognized by the federal government. Wells and Maak have lived together for 19 years in San Francisco and married in Massachusetts 7 years ago. Maak received a deportation order mandating him to leave the country before Aug. 25, despite being the sole income provider and caretaker for his husband, who is suffering health complications due to AIDS.

La Prensa in Florida published an article titled “La inmigración y los matrimonios gay” that discusses a Department of Justice decision not to fully adhere to the so-called “Defense of Marriage Act” (DOMA). The article highlights how this could impact gay and lesbian couples and their loved ones in the near future.

The paper followed that story with another discussing the positive impact a potential measure to halt deportations would have on the LGBT community. La Opinion also ran an article about new immigration policies that discussed how halting deportations will help vulnerable members of the LGBT community.

Gun Hill Road Gets Great Press and Strong Box Office

Gun Hill RoadGun Hill Road 

The film Gun Hill Road, which is in English but features a Latino family, has done well in both the box office and critical recognition. The film (which also opened Outfest) premiered theatrically in New York on Aug. 5 as the number one indie film in the box office, according to Rentrak, an entertainment media company. While only playing in three theatres, the film managed to have an outstanding opening weekend, playing to sold out houses nightly. Much of the success of the film has been attributed to the powerful influence of social media, with Facebook and Twitter serving as the perfect platform for people to engage and share a message with their audience.

The film follows the story of Enrique (Esai Morales), an ex-convict returning to his home in the Bronx after three years in prison, who finds his wife (Judy Reyes) having an affair and his son coming out as a transgender woman named Vanessa (Harmony Santana). Morales has been featured in interviews in many media outlets, such as Primer Impacto, La Opinión, and Hola LA!

Morales has spoken out against machismo , calling for “acceptance for all,” which is the film’s main message. He said in an interview, “This is a work of love; it is something from Latinos for Latinos and the rest of the world.”  As reported by People en Español, both he and Gun Hill Road received awards at the 26thannual Imagen Foundation Awards on Aug. 12, winning the Best Actor and Best Film categories respectively. The film is now playing in five theatres in New York and five theatres in Los Angeles. You can request the film to screen at a theater near you and learn how you can spread the word about the film atwww.gunhillroad.com

Ricky Martin’s Behind the Music Now Airing

Telemundo’s morning show Levántate and Estrella TV’s Estrellas Hoy aired a short preview of Ricky Martin’s VH1’s Behind the Music special, which premiered on Aug. 14. In the segment Martin talks about his boyfriend Carlos González saying, “My partner, my boyfriend is very sexy, very smart, very compassionate, but the most important thing [is] he loves my children. It’s very beautiful… I am very happy.”

SamySamy 

Samy on “Aqui Y Ahora”!

This week, Univision’s Aqui y Ahora, the  highly-rated investigative news show, profiled Samy, a renowned Cuban-American hair stylist and face of the SAMY hair-care brand. Thesegment highlighted the strugglesSamy faced after being rejected by his parents for being gay, and how it launched him to build his hair-care empire. They also showed images of Samy reconciled with his parents and living openly and happily with his long-term partner.

Honduran Billboard & Anger Over Lack of Marriage Equality in Costa Rica Get Media Attention

Honduras BillboardA billboard featuring gay couples embracing one another and sponsored in part by the Atonomous National Univeristy of Honduras (UNAH) drew protests from angry parents which wascovered in a few small outlets. And in Costa Rica, advocates accused the legislative assembly of having a “sexual apartheid” because they won’t legalize same-sex unions.

Lesbian Chilean Judge Fights for Custody

Judge Karen Atala & her partner Emma de Ramón 

Online LGBT publication, xQsí Magazine,covered a story about a discrimination case against a lesbian mother in Chile. The Supreme Court of Chile took custody of Karen Atala Riffo’s three daughters, and gave it to her ex-husband because she decided to move in with her partner, a woman. The case has been brought to the Inter-American Courts of Human Rights, and could set a precedent for discrimination based on sexual orientation in Latin America.

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Re-Membering la Voz del Joto

Written by admin on . Posted in Books, Events, Film, News, Poetry

Hames_Garcia_cover con J

Article written by Tatiana De La Tierra of LaBloga

I breathe a sigh of relief with the publication of Gay Latino Studies: A Critical Reader. Even before it existed, it was missing. It’s not that Chicano and Latino queers haven’t been researching, theorizing, writing, dreaming, performing and sweating it out in the academy. I know otherwise. I’ve seen some of these guys (and girls, for the femme-identified) in action at conferences, universities, and political and cultural events. I’ve noted their monographs and their contributions to journals and anthologies. I won’t be one to ask, “Where were these academic jotos before Gay Latino Studies?” 

Co-editors Michael Hames-García and Ernesto Javier Martínez introduce the book by citing Gloria Anzaldúa’s plea that Chicana lesbians open their hearts to their joto brothers. They write, “We have been motivated less by histories of separation and isolation than by a commitment to the kind of deep solidarity modeled by Anzaldúa, a sense of remaining incomplete so long as the liberationist agenda that includes Chicanas and Latinas does not also include jotos, and vice versa.” Instead of framing the collection as an way of “not forgetting” gay Latinos, they frame it in a sense of “actively re-membering,” referring to M. Jacqui Alexander’s work. They write, “We invoke gay Latino studies as an act of re-membering, as a gesture toward what has been and what might still be possible, even if it is only provisionally named.”

A lot of thematic terrain is covered in this 360-page book. Topics include queer theory, drag artists, lowrider magazines, HIV prevention ads, dance culture, gay pride parades, sexual identity, performance, literature, shame and shamelessness, history, masculinity, and discussions of terms of the trade: queer, gay male, identity, visibility, and so on. Michael Hames-García provides a queer colored timeline, which begins with James Baldwin’s Another Country in 1962 and includes names I grew up with in my queer evolution. While working on the book, the editors (successfully, in my view) “sought to work against the whitewashing tendencies of queer academic theorizing and against the deep suspicion of identity categories that too often serve as a crutch for white academic racism.”

On the cover, birds, butterflies and flowers stream out of the mouths of mystical men. This is “La Voz del Poeta,” a painting by Tino Rodriguez, who writes on his Artist Statement, “I am fascinated by the complexity of human sexuality, transformation, longing and transgression.” It’s a beautiful and philosophically-compatible selection for the cover because of the way essays are paired with response pieces. The chapters are speaking to each other, having conversations. This format invites readers to listen and chime in.

In order of appearance, the twenty-one Latino, Caribbean and Chicano scholars from universities all over the U.S. who contributed to this reader are: Michael Hames-García, Ernesto Javier Martínez, María Lugones, Lawrence La Fountain-Stokes, Ramón García, Antonio Viego, Luz Calvo, Catriona Rueda-Esquibel, Richard T. Rodriguez, Daniel Enrique Pérez, Lionel Cantú, Tomás Almaguer, Horacio N. Roque Ramírez, Ramón A. Gutiérrez, José Esteban Muñoz, Ricardo L. Ortiz, Paula M. L. Moya, Ramón H. Rivera-Servera, Daniel Contreras, David Román, and Frances Negrón-Muntaner.

A few things jumped out at me while perusing Gay Latino Studies. I caught sight of Luz Calvo and Catriona Rueda Esquibel devouring Michael Nava’s mysteries, hooked, taking turns reading them and, at some point, reading the last few chapters aloud. They write, “… We turn to gay Latino literature and scholarship, to our queer kin, to decode the past, to influence the future.”

I couldn’t help but crack a smile (pun intended) at one of José Esteban Muñoz’s subtitles: “This Bridge Called My Crack.” He is playing around, he says, in an attempt to “highlight the thematics of anal eroticism and recreational drug use (crystal methamphetamine)” and calling attention “to the continuation of the radical women of color project by gay men of color.” This reminded me of similar playing around with words at a reading I did in El Paso, Texas, a few years ago with some friends, “This Frontera Called My Lengua: A Reading by Linguistic Terrorists.”

Estevan Muñoz’s chapter, “Feeling Brown: Ethnicity and Affect in Ricardo Bracho’s The Sweetest Hangover (and Other STDs)” took me back to San Francisco’s Brava Theater in 1997. I was in town, hanging out with Juana María Rodriguez, whose work is also referenced in the book, trying to score tickets for the play’s sold-out premiere. We got in and soon after, I was in Bracho’s planetary dream, a nightclub called Aztlantis, a name “which signifies both the lost Chicano homeland and the lost city of myth.”

On a more carnal plane, Lawrence La Fountain-Stokes’s chapter, “Gay Shame, Latina- and Latino-Style: A Critique of White Queer Performativity” reminded me of “Las Sinvergüenzas,” the Latina lesbian anthology, which he references, that I tried to get published (unsuccessfully) a few years ago. Whatever’s left of that project is now hanging out in a box in a garage somewhere. My sinvergüenza identity, from the good old days, is aptly summed up by Larry’s definition: “To be a sinvergüenza is to have no shame: to disobey, break the law, disrespect authority (the family, the church, the state), and in a perverse and curious way to be proud of one’s transgression, or at the very least lack a feeling of guilt.”

Finally, Gay Latino Studies took me to Hato Rey, Puerto Rico, to Boccaccio’s, a lesbian bar. In David Román’s “Dance Liberation,” Román goes to a gay disco for the first time in Madison, Wisconsin with a female friend who proposes the outing as a fun idea. The scene is thrilling and terrifying and he leaves, only to return by himself a few nights later. He wrote, “That night I stood on the sidelines and watched as gay men in front of me danced in what seemed to me to be nothing short of a state of joy.” In response to his essay, Frances Negrón-Muntaner recalls Boccaccio, the bar in San Juan owned by two Cuban lesbians with an “oversized figure of Santa Barbara-Changó as half-man and half-woman right at the entrance.” I remember that bar. I was there once. I have my own story to tell, and it resonates because I know many of us have passed through those same doors. We have rubbed elbows or other body parts, we have been figures in that smoky haze of clubs, our queer cribs.

And that’s what’s so cool about Gay Latino Studies for me. It feels familiar, like I know these brothers, and I do. Like I’m in those pages here and there, and I am.

Gay Latino Studies: A Critical Reader. Michael Hames-Garcia and Ernesto Javier Martínez, Editors. Duke University Press, 2011.

 

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